Bibliography of Scholarship on Nineteenth-Century Ireland (always under construction)

• Arata, Stephen D. "The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization." Victorian Studies 33 (1990): 621-45.
• Atkinson, Colin B. and Jo Atkinson. "Sydney Owenson, Lady Morgan: Irish Patriot and First Professional Woman Writer." Éire-Ireland 15 (1980): 60-90.
• Backus, Margot Gayle. The Gothic Family Romance: Heterosexuality, Child Sacrifice, and the Anglo-Irish Colonial Order. Durham, NC: Duke University Press, 1999.
• Bate, Jonathan. "Tom Moore and the Making of the 'Ode to Psyche.'" Review of English Studies 61 (1990): 325-33.
• Berlatsky, Joel. "Roots of Conflict in Ireland: Colonial Attitudes in the Age of the Penal Laws." Éire-Ireland 18 (1983): 40-56.
• Boss, Valentin. Milton and the Rise of Russian Satanism. Toronto: University of Toronto Press, 1991.
• Boulton, James T. The Language of Politics in the Age of Wilkes and Burke. Toronto: University of Toronto Press, 1963.
• Brogan, Howard O. "Thomas Moore, Irish Satirist and Keeper of the English Conscience." Philological Quarterly 24 (1945): 255-76.
• Butler, Marilyn. Maria Edgeworth: A Literary Biography. Oxford: Clarendon Press, 1972.
• Cain, Jimmie E., Jr. "The Lady of the Shroud: A Novel of Balkan Anglicization." Balkanistica 12 (1999): 21-38.
• Cleeve, Brian, ed. Dictionary of Irish Writers. 3 vols. Cork: Mercier Press, 1969.
• Connolly, Claire. " 'I Accuse Miss Owenson': The Wild Irish Girl as Media Event." Colby Library Quarterly 36 (2000): 98-115.
• ---. Introduction. The Wild Irish Girl: A National Tale. By Sydney Owenson. London: Pickering & Chatto, 2000.
• ---, ed. Theorizing Ireland. London: Palgrave Macmillan, 2003.
• Corbett, Mary Jean. Allegories of Union in Irish and English Writing, 1790-1870: Politics, History, and the Family from Edgeworth to Arnold. Cambridge: Cambridge University Press, 2000.
• Curtis, Louis Perry. Apes and Angels: The Irishman in Victorian Caricature. Washington: Smithsonian Institution Press, 1971.
• Curtin, Nancy J. The United Irishmen: Popular Politics in Ulster and Dublin, 1791-1798. Oxford: Clarendon Press, 1994.
• Davis, Leith. "Irish Bards and English Consumers: Thomas Moore's 'Irish Melodies' and the Colonized Nation." Ariel 24 (1993): 7-26.
• ---. "Birth of the Nation: Gender and Writing in the Work of Henry and Charlotte Brooke." Eighteenth-Century Life 18 (1994): 27-47.
• Deane, Seamus. "Civilians and Barbarians." In Ireland's Field Day. Field Day Theatre Company. Notre Dame: University of Notre Dame Press, 1986. 33-42.
• ---. "Fiction and Politics: Irish Nineteenth-Century National Character 1790-1900." In The Writer as Witness: Literature as Historical Evidence. Cork: Cork University Press, 1987. 90-113.
• ---. "Maria Edgeworth, Romanticism and Utilitarianism." Gaeliana 8 (1986): 9-15.
• ---. "National Character and National Audience: Race, Crowds and Readers." In Critical Approaches to Anglo-Irish Literature. Ed. Michael Allen and Angela Wilcox. Gerrards Cross: Colin Smythe, 1989. 40-52.
• ---. "The Production of Cultural Space in Irish Writing." boundary 2 21.3 (1994): 117-144.
• ---. Strange Country: Modernity and Nationhood in Irish Writing Since 1790. Oxford: Oxford University Press, 1997.
• Deane, Seamus, ed. Nationalism, Colonialism, and Literature. Minneapolis: University of Minnesota Press, 1990.
• Dennis, Ian. Nationalism and Desire in Early Historical Fiction. London: Macmillan, 1997.
• Dickson, David, Dáire Keogh and Kevin Whelan, eds. The United Irishmen: Republicanism, Radicalism and Rebellion. Dublin: Lilliput Press, 1993.
• Dunne, Tom. "Haunted by History: Irish Romantic Writing 1800-50." In Romanticism in National Context. Ed. Roy Porter and Mikuláš Teich. New York: Cambridge University Press, 1988. 68-91.
• ---. Maria Edgeworth and the Colonial Mind. Cork: University College (Cork), 1984.
• Dyer, Gary. British Satire and the Politics of Style, 1789-1832. Cambridge: Cambridge University Press, 1997.
• Eagleton, Terry. Crazy John and the Bishop and Other Essays on Irish Culture. Notre Dame, IN: University of Notre Dame Press, 1998.
• ---. Heathcliff and the Great Hunger: Studies in Irish Culture. New York: Verso, 1996.
• ---. Scholars and Rebels in Nineteenth-Century Ireland. Oxford: Blackwell, 1999.
• Elliott, Marianne. Partners in Revolution: The United Irishmen and France. New Haven: Yale University Press, 1982.
• Faolain, Turlough. Blood on the Harp: Irish Rebel History in Ballad (The Heritage). Troy NY: Whitston, 1983.
• Ferris, Ina. The Achievement of Literary Authority: Gender, History, and the Waverley Novels. Ithaca: Cornell University Press, 1991.
• ---. The Romantic National Tale and the Question of Ireland. Cambridge: Cambridge University Press, 2002.
• Field Day Anthology of Irish Writing. 3 vols. Gen. ed. Seamus Deane. Derry: Field Day Publications, 1991.
• Flanagan, Thomas. The Irish Novelists, 1800-1850. New York: Columbia University Press, 1959.
• Foster, John Wilson. "The Topographical Tradition in Anglo-Irish Poetry." Irish University Review 4-5 (1974-1975): 169-87.
• Foster, R. F. Modern Ireland, 1600-1972. Markham: Penguin, 1989.
• Fowler, Kathleen. "Hieroglyphics in Fire: Melmoth the Wanderer." Studies in Romanticism 25 (1986): 521-39.
• Friedman, Geraldine. "Rereading 1798: Melancholy and Desire in the Construction of Edgeworth's Anglo-Irish Union." European Romantic Review 10 (1999): 175-92.
• Gibbons, Luke. "Between Captain Rock and a Hard Place: Art and Agrarian Insurgency." In Ideology and Ireland in the Nineteenth Century. Ed. Tadhg Foley and Seán Ryder. Dublin: Four Courts Press, 1998. 23-44.
• —. Edmund Burke and Ireland: Aesthetics, Politics, and the Colonial Sublime. Cambridge: Cambridge University Press, 2003.
• ---. Transformations in Irish Culture. Notre Dame, IN: Notre Dame University Press, 1996.
• Glover, David. Vampires, Mummies, and Liberals: Bram Stoker and the Politics of Popular Fiction. Durham, NC: Duke University Press, 1996.
• Grobman, Neil R. "The Ballads of Thomas Moore's Irish Melodies." Southern Folklore Quarterly 36 (1972): 103-20.
• Hogle, Jerrold. "Stoker's Counterfeit Gothic: Dracula and Theatricality at the Dawn of Simulation." In Bram Stoker: History, Psychoanalysis and the Gothic. Ed. William Hughes and Andrew Smith. New York: St. Martin's Press, 1998. 205-24.
• Holmes, Michael and Denis Holmes, eds. Ireland and India: Connections, Comparisons, Contrasts. Dublin: Folens, 1997.
• Hooper, Glenn. "The Wasteland: Writing and Resettlement in Post-Famine Ireland." Canadian Journal of Irish Studies 23 (1997): 55-76.
• Hopkins, Lisa. "Crowning the King, Mourning his Mother: The Jewel of the Seven Stars and The Lady of the Shroud." In Bram Stoker: History, Psychoanalysis and the Gothic. Ed. William Hughes and Andrew Smith. New York: St. Martin's Press, 1998. 134-50.
• Ignatiev, Noel. How the Irish Became White. New York: Routledge, 1995.
• Jeffrey, Frederick. Methodism and the Irish Problem. Newcastle-on-Tyne: Methodist Conference, 1973.
• Jeffery, Keith, ed. An Irish Empire? Aspects of Ireland and the British Empire. New York: Manchester University Press, 1996.
• Johns-Putra, Adeline. "Satirising the Courtly Woman and Defending the Domestic Woman: Mock Epics and Women Poets in the Romantic Age." Romanticism On the Net 15 (August 1999) 5 April 2003 <http://users.ox.ac.uk/~scat0385/courtly.html>.
• Jones, Catherine A. "'Our Partial Attachments': Tom Moore and 1798." Eighteenth-Century Ireland 13 (1998): 24-43.
• Joyce, Simon. "Sexual Politics and the Aesthetics of Crime: Oscar Wilde in the Nineties." ELH 69 (2002): 501-23.
• Kelleher, Margaret. The Feminization of Famine: Expressions of the Inexpressible? Durham, NC: Duke University Press, 1997.
• Kiberd, Declan. Irish Classics. London: Granta, 2000.
• Kirkpatrick, Kathryn J. Border Crossings: Irish Women Writers and National Identities. Tuscaloosa, AL: University of Alabama Press, 2000.
• Kowaleski-Wallace, Elizabeth. Their Fathers' Daughters: Hannah More, Maria Edgeworth, and Patriarchal Complicity. New York: Oxford University Press, 1991.
• Lacaita, Francesca. "The Journey of the Encounter: The Politics of the National Tale in Sydney Owenson's The Wild Irish Girl and Maria Edgeworth's Ennui." In Critical Ireland: New Essays in Literature and Culture. Ed. Alan A. Gillis and Aaron Kelly. Dublin: Four Courts Press, 2001. 148-54.
• Leerssen, J. Th. "How The Wild Irish Girl Made Ireland Romantic." Dutch Quarterly Review 18 (1988): 209-227.
• ---. "Fiction Poetics and Cultural Stereotype: Local Colour in Scott, Morgan, and Maturin." Modern Language Review 86 (1991): 273-84.
• ---. Mere Irish and Fior-Gael: Studies in the Idea of Irish Nationality, its Development and Literary Expression Prior to the Nineteenth Century. Philadelphia: John Benjamins, 1986.
• ---. "On the Edge of Europe: Ireland in Search of Oriental Roots, 1650-1850." Comparative Criticism 8 (1986): 91-112.
• ---. "On the Treatment of Irishness in Romantic Anglo-Irish Fiction." Irish University Review 20 (1990): 251-263.
• ---. Remembrance and Imagination: Patterns in the Historical and Literary Representation of Ireland in the Nineteenth Century. Notre Dame: University of Notre Dame Press, 1997.
• Levy, Anita. Reproductive Urges: Popular Novel-Reading, Sexuality, and the English Nation. Philadelphia: University of Pennsylvania Press, 1999.
• Lew, Joseph W. "Sidney Owenson and the Fate of Empire." Keats-Shelley Journal 39 (1990): 39-65.
• ---. "'Unprepared for Sudden Transformations': Identity and Politics in Melmoth the Wanderer." Studies in the Novel 26 (1994): 173-95.
• Lloyd, David. Anomalous States: Irish Writing and the Post-Colonial Moment. Durham, NC: Duke University Press, 1993.
• —. Ireland After History. Notre Dame: University of Notre Dame Press, 1999.
• ---. Nationalism and Minor Literature: James Clarence Mangan and the Emergence of Irish Cultural Nationalism. Berkeley: University of California Press, 1987.
• —. "Race Under Representation." Oxford Literary Review 13 (1991): 62-94.
• Marez, Curtis. "The Other Addict: Reflections on Colonialism and Oscar Wilde's Opium Smoke Screen." ELH 64 (1997): 257-87.
• McCormack, W. J. Ascendancy and Tradition in Anglo-Irish Literary History, 1789-1939. Oxford: Clarendon Press, 1985.
• ---. "The Genesis of Protestant Ascendancy." In 1789: Reading Writing Revolution. Ed. Francis Barker et al. Colchester: University of Essex, 1982. 303-23.
• ---. The Pamphlet Debate on the Union Between Great Britain and Ireland, 1797-1800. Dublin: Irish Academic Press, 1996.
• Milbank, Alison. "'Powers Old and New': Stoker's Alliances with Anglo-Irish Gothic." In Bram Stoker: History, Psychoanalysis and the Gothic. Ed. William Hughes and Andrew Smith. New York: St. Martin's Press, 1998. 12-28.
• Miller, Julia Anne. "Acts of Union: Family Violence and National Courtship in Maria Edgeworth's The Absentee and Sydney Owenson's The Wild Irish Girl." In Border Crossings: Irish Women Writers and National Identities. Ed. Kathryn Kirkpatrick. Tuscaloosa: University of Alabama Press, 2000. 13-37.
• Moskal, Jeanne. "Gender, Nationality, and Textual Authority in Lady Morgan's Travel Books." Romantic Women Writers: Voices and Countervoices. Ed. Paula Feldman and Theresa Kelley. Hanover: University Press of New England, 1995. 171-93.
• Moynahan, Julian T. Anglo-Irish: The Literary Imagination in a Hyphenated Culture. Princeton, NJ: Princeton University Press, 1995.
• Murphy, Andrew. "Revising Criticism: Ireland and the British Model." British Identities and English Renaissance Literature. Ed. David J. Baker and Willy Maley. Cambridge: Cambridge University Press, 2002. 24-33.
• Murray, Isobel. "Strange Case of Dr. Jekyll and Oscar Wilde." Durham University Journal 79 (1987): 311-19.
• Myers, Mitzi. "Canonical 'Orphans' and Critical Ennui: Rereading Edgeworth's Cross-Writing." Children's Literature 25 (1997): 116-36.
• ---. "Goring John Bull: Maria Edgeworth's Hibernian High Jinks versus the Imperialist Imaginary." Cutting Edges: Postmodern Critical Essays on Eighteenth-Century Satire. Ed. James E. Gill. Knoxville, TN: University of Tennessee Press, 1995. 367-94.
• Neff, D. S. "Hostages to Empire: The Anglo-Indian Problem in Frankenstein, The Curse of Kehama, and The Missionary." European Romantic Review 8 (1997): 386-408.
• Null, Jack. "Structure and Theme in Melmoth." Papers on Language and Literature 13 (1977): 136-47.
• Nunokawa, Jeff. "Oscar Wilde in Japan: Aestheticism, Orientalism, and the Derealization of the Homosexual." Positions 2 (1994): 44-56.
• Ó Gallchoir, Clíona. "Maria Edgeworth's Revolutionary Morality and the Limits of Realism." Colby Library Quarterly 36 (2000): 87-97.
• ---. "Gender, Nation and Revolution: Maria Edgeworth and Stephanie-Felicite de Genlis." In Women, Writing, and the Public Sphere, 1700-1830. Ed. Elizabeth Eger, Charlotte Grant, Clíona Ó Gallchoir, and Penny Warburton. Cambridge: Cambridge University Press 2001. 200-16.
• Omasreiter, Ria. "Maria Edgeworth's Tales: A Contribution to the Science of Happiness." Functions of Literature: Essays Presented to Erwin Wolff on his Sixtieth Birthday. Ed. Ulrich Broich, Theo Stemmler and Gerd Stratmann. Tübingen: Max Niemeyer Verlag, 1984.
• O'Neill, James W. "A Look at Captain Rock: Agrarian Rebellion in Ireland, 1815-1845." Éire-Ireland 17 (1982): 17-34.
• O'Neill, Patrick. Ireland and Germany: A Study in Literary Relations. Canadian Studies in German Language and Literature 33. New York: Peter Lang, 1985.
• O'Sullivan, Patrick. "A Literary Difficulty in Explaining Ireland: Tom Moore and Captain Rock, 1824." In The Irish in Britain, 1815-1939. Ed. Roger Swift and Sheridan Gilley. London: Pinter, 1989. 239-74.
• Paulin, Tom. "English Political Writers on Ireland: Robert Southey to Douglas Hurd." In Critical Approaches to Anglo-Irish Literature. Ed. Michael Allen and Angela Wilcox. Gerrards Cross: Colin Smythe, 1989. 132-145.
• Punter, David. "Echoes in the Animal House: The Lair of the White Worm." In Bram Stoker: History, Psychoanalysis and the Gothic. Ed. William Hughes and Andrew Smith. New York: St. Martin's Press, 1998. 173-87.
• Rafroidi, Patrick. Irish Literature in English: The Romantic Period (1789-1850). 2 vols. Gerrards Cross: Colin Smythe, 1980.
• Rajan, Balachandra. "Feminizing the Feminine: Early Women Writers on India." In Romanticism, Race, and Imperial Culture, 1780-1834. Ed. Alan Richardson and Sonia Hofkosh. Bloomington: Indiana University Press, 1996.
• ---. Under Western Eyes: India from Milton to Macaulay. Durham, NC: Duke University Press, 1999.
• Sage, Victor. "Exchanging Fantasies: Sex and the Serbian Crisis in The Lady of the Shroud." In Bram Stoker: History, Psychoanalysis and the Gothic. Ed. William Hughes and Andrew Smith. New York: St. Martin's Press, 1998.
• Schaffer, Talia. "'A Wilde Desire Took Me': The Homoerotic History of Dracula." ELH 61 (1994): 381-425.
• Seed, David. "Eruptions of the Primitive into the Present: The Jewel of the Seven Stars and The Lair of the White Worm." In Bram Stoker: History, Psychoanalysis and the Gothic. Ed. William Hughes and Andrew Smith. New York: St. Martin's Press, 1998. 188-204.
• Senf, Carol A. "The Lady of the Shroud: Stoker's Successor to Dracula." Essays in Arts and Sciences 19 (1990): 82-96.
• Smyth, Jim, ed. Revolution, Counter-Revolution and Union: Ireland in the 1790s. Cambridge: Cambridge University Press, 2000.
• Spencer, Kathleen L. "Purity and Danger: Dracula, the Urban Gothic, and the Late Victorian Degeneracy Crisis." ELH 59 (1992): 197-225.
• Stevenson, Lionel. The Wild Irish Girl: The Life of Sydney Owenson, Lady Morgan (1776-1859). New York: Russell and Russell, 1969.
• Tessone, Natasha. "Displaying Ireland: Sydney Owenson and the Politics of Spectacular Antiquarianism." Éire-Ireland 37 (2002): 169-86.
• Thuente, Mary Helen. The Harp Re-Strung: The United Irishmen and the Rise of Irish Literary Nationalism. Syracuse: Syracuse University Press, 1994.
• Tracy, Robert. "'The Cracked Lookingglass of a Servant': Inventing the Colonial Novel." In Rereading Texts/Rethinking Critical Presuppositions: Essays in Honour of H. M. Daleski. Ed. Shlomith Rimmon-Kenan, Leona Toker and Shuli Barzilai. Berlin: Peter Lang, 1997. 197-212.
• ---. "Maria Edgeworth and Lady Morgan: Legality versus Legitimacy." Nineteenth-Century Fiction 40 (1985): 1-22.
• ---. The Unappeasable Host: Studies in Irish Identities. Dublin: University College Dublin Press, 1998.
• Trumpener, Katie. Bardic Nationalism: The Romantic Novel and the British Empire. Princeton: Princeton University Press, 1997.
• ---. "National Character, National Plots: National Tale and Historical Novel in the Age of Waverley, 1806-1830." ELH 60 (1993): 685-732.
• Van Dussen, D. Gregory. "Methodism and Cultural Imperialism in Eighteenth-Century Ireland." Éire-Ireland 23 (1988): 19-37.
• Vance, Norman. Irish Literature: A Social History: Tradition, Identity, and Difference. Oxford: Blackwell, 1990.
• Viswanathan, Gauri. Outside the Fold: Conversion, Modernity, and Belief. Princeton, NJ: Princeton University Press, 1998.
• Welch, Robert. Irish Poetry from Moore to Yeats. Gerrards Cross: Colin Smythe, 1980.
• -----. A History of Verse Translation from the Irish. Gerrards Cross: Colin Smythe, 1988.
• Weller, Earle Vonard. Keats and Mary Tighe: The Poems of Mary Tighe, with Parallel Passages from the Work of John Keats. New York: MLA, 1928.
• Whelan, Kevin. The Tree of Liberty: Radicalism, Catholicism and the Construction of Irish Identity, 1760-1830. Notre Dame IN: Notre Dame University Press, 1996.
• White, Terence de Vere. Tom Moore: The Irish Poet. London: Hamish Hamilton, 1977.
• Wright, Julia M. "Courting Public Opinion: Handling Informers in the 1790s." Éire-Ireland 33 (1997-1998): 144-69.
• ---. "Devouring the Disinherited: Familial Cannibalism in Maturin's Melmoth the Wanderer." In Eating Their Words: Cannibalism and the Boundaries of Cultural Identity. Ed. Kristen Guest. Albany, NY: State University of New York Press, 2001. 79-105.
• ---. "'The Nation Begins to Form': Competing Nationalisms in Morgan's The O'Briens and the O'Flahertys." ELH 66 (1999): 939-63.
• ---. "National Erotics and Political Theory in Morgan's The O'Briens and the O'Flahertys." European Romantic Review 15 (2004): 229-41.
• ---. "'The Same Dull Round Over Again': Colonial History in Moore's Memoirs of Captain Rock." European Romantic Review 14 (2003): 243-53.
• Waters, John. "Topographical Poetry and the Politics of Culture in Ireland, 1772-1820." Romantic Generations: Essays in Honor of Robert F. Gleckner. Ed. Ghislaine McDayter, Guinn Batten, and Barry Milligan. Lewisburg: Bucknell UP, 2001. 221-44.