Irish Literature, 1700-1900: Satire, Sentiment, and the Gothic

Preliminary Course Information

**Please note:  a final syllabus will be made available via BbLearn before the start of classes, and will include details on assignments, course policies, and so on.  This is provided for informational purposes only, primarily to help those students who want to start the readings early (e.g., Books I & II of Gulliver's Travels).**

Required Texts

• Stoker, Bram. Dracula. Ed. Roger Luckhurst. New York: Oxford UP, 2011. [also available in Kindle]
• Swift, Jonathan. Gulliver’s Travels. Ed. Claude Rawson and Ian Higgins. New York: Oxford UP, 2005. [also available in Kindle)
• Wright, Julia M., ed. Irish Literature, 1750-1900: An Anthology. Oxford: Wiley-Blackwell, 2008.

 Assignments

 

Class Schedule

The readings for January 8th will be made available via BbLearn.  All other readings are in one of the required textbooks.  Students are required to finish the readings before the class in which they will be discussed.

 Satire, 1700-1755
January 6th: Introduction
January 8th: Thomas Parnell, “To  ---,” “On the Castle of Dublin” and “Bacchus or the Drunken Metamorphosis”; Swift, “Verses on the Death of Dr. Swift
January 13th-15th:  Swift, Gulliver’s Travels, Books I & II
January 20th: Thomas Sheridan, The Brave Irishman, or Captain O’Blunder: A Farce

 The Age of Sentiment, 1755-1780
            January 22nd: Frances Sheridan, “Ode to Patience”; Ryves, “Ode to Sensibility”; Goldsmith, “The Deserted Village”
            January 27th-29th: Burke, selections from Philosophical Enquiry into the Origins of our Ideas on the Sublime and the Beautiful; Leslie, “Killarney”

 Satire and Early Nationalism, 1780-1805
February 3rd:  O’Brien, both selections; Porter, excerpts from Billy Bluff and the Squire
February 5th-10th: Drennan, “Wake,” “Erin,” and “Glendalloch”; Edgeworth, “Limerick Gloves”

 Romanticism, 1805-1840: Satire, the Ballad, and the Gothic 
Feb. 12th: Moore, excerpts from Intercepted Letters; mid-term (7:30-8:25)
February 17th-21st:  Reading Week
February 24th: Moore, selections from Irish Melodies; Callanan, “The Convict of Clonmel” and “The Outlaw of Loch Lene”
February 26th:  Carleton, “Wildgoose Lodge”; Banims, “The Church-Yard Watch”
March 3rd: Banims (cont.); J. Sheridan LeFanu, “A Chapter in the History of a Tyrone Family”

High Romanticism and Cultural Nationalism, 1840-1880:  Sentimental Elegy and the Rise of the Lyric
            March 5th: Mangan, “The Warning Voice,” “Dark Rosaleen,” “A Vision of Connaught in the Thirteenth Century,” and “The Lovely Land”
            March 10th:  Mangan (cont.); Ferguson, “Thomas Davis: An Elegy” and “Willi Gilliland”

            March 12th-17th: MacCarthy, “The Living Land” and “Walk by the Bay of Dublin”; Jane Wilde, “The Famine Year” and “Ruins”; Kavanagh, “The Pearl Fountain”

 Fin-de-Siècle Discontents with Realism
March 19th-26th:  Stoker, Dracula
March 31st:  Stoker (cont., if necessary); Oscar Wilde, “The Selfish Giant” and from The Decay of Lying
April 2nd:  Tynan, “The Unlawful Mother”; Sigerson, “Man’s Discontent”
April 7th:   Tynan, “The Wild Geese”; Sigerson, “The Flight of the Wild Geese”’; Yeats, from A Book of Irish Verse; review for exam.

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